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Worldwide Agent fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation.

Sure, some wily fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold.

For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting.

Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service.

It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect. Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight.

However, where the standard Bond film-making characteristics are somewhat consistent and captivating i. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film—its opening scene and surging theme song.

In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope.

No one can accuse Spectre as to not holding its own in visual functionality. We can never forget that along with Agent folklore comes the responsibility of being labeled a treasured Bond babe.

And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. Spectre Sony Pictures 2 hrs 28 mins.

All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive. Nothing else really new What I liked from a couple of last Bond movies was they were off the regular style, like not overly rely on spy's special gadgets.

Anyway, he's the most fittest muscular Bond I've ever seen and he's celebrating 10 year anniversary with this film release.

But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film. The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig.

But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself.

The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron?

Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard.

But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it.

But to be honest, I enjoyed it. Char Man kostenlose filme p-M1V. Tomb Raider kostenlose filme p-AAF. Tess Tomb Raider Tomb Raider ganzer film deutsch, Tomb Raider online stream - Ganzer film, Tomb Raider ganzer film online stream - Deutsch ok walking into this movie i knew it was going to be fun not sure how much fun but fun however hen i sat down i got a treat there was a ton of action it was a really good movie too it had lots of adventure too and a good plot i really enjoyed it my only gripe is the begining is very slow but besudes that i say go see this movie Your typical adventure film.

Neither Vikander nor Goggins stand out. Though there was the screen debut of Daniel Wu as Lu Phen.

As a video game to movie adaptation Tomb Raider works on nearly every level, the only flaw being that there's so much of Tomb Raider to pack into two hours.

I had great expectations for this film and wasn't disappointed in the least. On the contrary, it was a blast from beginning to end with Alicia Vikander lending a nice touch of innocence to Lara, which is a clear nod to the game reboot which is what the film is based on.

Her tortuous relationship with her dad was predictable, but it wasn't overdone and it's a key element in the Lara story.

On the other hand, we're plunged into the action right away and in that respect I was more than happy as the scenes were both exciting and typically Lara Croft.

She uses keys, there are puzzles, traps,maps, evil foes and magnificent set pieces that, if you've ever played the games, will be instantly recognisable as Tomb Raider.

Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard.

But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it.

But to be honest, I enjoyed it. Arrival filme kostenlos anschauen p-Sonics-DDP. Rajesh Arrival Arrival ganzer film deutsch, Arrival online stream - Ganzer film, Arrival ganzer film online stream - Deutsch Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi".

If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experiences, one of the smartest, most well-constructed science fiction marvels of recent years.

Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way.

In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliche-free take on the genre.

If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you.

The masterpiece of ! Denis Villenueve offers a great film, but one that is exactly what the trailer put forth, this is not a Sci-Fi War film waiting to happen, or a modern-day horror.

It's a character-driven piece about politics, life, humanity and communication. Nowadays there are lots of altered versions coming that you won't easily say those are the remakes or reboots or spin- offs or whatever they call them in these days.

Like 'Premotheus' to 'Alien', this film can remind you a few titles from the past, but 'Contact' is what the majority of us believes it got inspired.

The eight Oscars nominees for the film is insane. I know some people liked it, and the film was good, that does not mean it is an Oscar product.

I'm okay with the technical side recognition as it deserved that. So visually it was very good, but not a special effects extravaganza.

Just a simple sci-fi drama, with a few thrills, particularly towards the end. When the unexpected visitors from the outer-space land their ships in the twelve different locations on the earth, the humans patiently try to communicate with them to learn their intentions.

This story focused on the American soil, where experts are brought in to decode the alien language.

How the rest of tale develops was told in the remaining parts. To me it smells like a trilogy. If not, it should be. I enjoyed it, mainly because of being a drama.

Sci-fi is always associated with action, adventure and thriller, but this drama was something fresh as per todays computer graphics dominated cinema world.

This is particularly for the family and older people like the grownups. Like I said the youngsters love action and violence. So it is a one time viewable film and you will get everything in that attempt itself.

The main thrust is that Amy Adams has to find out what the aliens want before any other country can fuck it up and they did a great job in casting Amy Adams.

I'm not usually any more than indifferent of Adams, but she does a great job here with what she's given. Jeremy Renner does as good as Jeremy Renner can do with a character that isn't just stoic bad-ass.

I like Renner, but unlike other alien films, Arrival isn't an "alien invasion" movie where he can run around shooting stuff and making quips, so I'm not sure he was the best choice.

The only other actor of note is Forrest Whitaker, who does fine, but he has this stupid accent that has no purpose. I had to watch interviews with him to make sure he wasn't just doing an accent every other time and this was his real voice.

No, he does some unnatural accent that really draws you out of the film because there is no reason for it. It's not a foreign accent or a regional one or at least not one that I've ever heard , it's just some made up shit he does for no reason.

The plot is fine for where they are trying to go with the story. Personally, there are some tropes that I really fucking hate and Arrival rides on one of the ones I hate the most.

I won't say what it is, because Arrival really should not be spoiled, but subjectively it was a stupid bullshit play and it makes things unnecessarily confusing.

Arrival is about the aliens coming to Earth, but that serves more as the gasoline that fuels the very human drama that is very dialog driven and much more about Amy Adams than any of the aliens.

I'm unclear about how long the movie takes place, but once they establish the motive of the movie, it feels cheap to skip a huge chunk of time and give us a montage of what happens instead of keeping the flow of progression.

The movie takes place mostly in Montana and we get some beautiful scenery and the sets are all great. The cinematography has some interesting ideas and they use shots and colors to enhance the plot.

Hearing the comparisons to Interstellar, I was afraid of how arrogant, indulgent, and pretentious Arrival might be and while I understand now what they were trying to convey with the comparison, Arrival is none of those things.

Arrival doesn't pretend that it's more than it is. There are a few story that keep my personal score from going beyond a four, but I don't see how anyone who watches Arrival knowing what kind of movie Arrival is could give it much less.

If you put on Arrival expecting Mars Attacks, Alien, Independence Day, or any other sci-fi spectacle films you are going to be disappointed, Arrival is much more of a drama.

Sure, it is technically a sci-fi because aliens, but that's not the drive of the film. If you choose to watch Arrival with the understanding that it can be slow and aggravating and has none of the flash and awe of a typical Sci-Fi, but replaces those with authentic characters and drama, don't think you will be disappointed.

Plenty of homages and nods to the original trilogy throughout the film, Andy plenty of cameos as well.

Has amazing action sequences and enough thrills to keep any true Star Wars fan hooked right from the beginning.

No opening crawl at the start for a change and a great score by Michael Giachinno, but still includes the original end credits with John Williams' original music.

K-2SO is a show stealer and is very funny as a character. The force is with this one. On the surface, this is a well-made action movie set within the Star Wars universe filled with nods and homages to "A New Hope" that will make you tingle with warm nostalgia.

The reappearance of sets, costumes and characters from our favorite childhood movies might make you say "Now, THIS is a Star Wars movie!

It's mimicry, plain and simple. The CGI recreations of Peter Cushing and Carrie Fisher felt very dirty and a flagrant disrespect to the departed actors, not to mention jarring, for a first time viewer.

The digital appearance of Grand Moff Tarkin disengaged me from the frail story and made me settle my stomach with a handful of antacid tablets.

The story, writing, characterization is on-par with what you'd expect from modern cinema and the movie serves it's primary purpose of being entertaining.

But, as a long-time Star Wars fan, I just couldn't help but feeling pandered to while watching this movie. I just realized that, for some reason, this movie had fallen between the cracks.

It was quite some time since I watched it but I seem to have forgotten to write a post about it. For me this was one of the best of the new after the original trilogy Star Wars movies.

It was fun, entertaining with plenty of good, old-fashioned Star Wars action. We were even provided with a bit of an explanation as to why the Death Star had this silly weakness in the first place.

The actors were doing a decent enough job of it. The chatty android was fun without being totally silly. It was a nice roller coaster ride of action, improvisations, and gung ho ludicrous stunts inside and outside of various forms of transportation means.

As usual with Star Wars the science part of science fiction is somewhat lacking. What looks cool is what is put on the screen and screw science.

When reading books I am more sensitive to such things but for a Star Wars movie it works well enough. Come on! It is a Star Wars movie.

It is supposed to be all action and visually stunning. On that this movie delivers. Sure the plot is not really the most developed one and has plenty of faults.

The movie is till a hugely fun Star Wars based science romp though. A story where the main characters from the original tale are not involved.

Being a big fan of this franchise, I loved it. I did not expect big, so got entertained well. But pity that this wonderful characters are not going to return.

This is just a one-off film. For seeing its overwhelming success, there could be a prequel, which has a very very slim chance.

The story was like that had started in a half way. That's why I wanted a prequel to tell us the Galen Erso's point of view story. When he has been taken back to the base to work for the Empire, his daughter is the only one who escapes from there.

After a few years later the grown- up daughter, Jyn, end up on the rebel's side. When she hints a plan for them to strike the Empire, nobody considers it.

But a rogue gang forms where they all does according to her saying. That's the story, and how it all ends are the rest.

The story was simple, but the action-adventures were good. Like what a 'Star Wars' fans want to see. The main drawback was there's no familiar faces around.

Even the original franchise style of title and credit presentation was off the beat. Though there were cameos. Overall a worthy film, otherwise it would have not earned one billion at the box office, making one of the top 10 of all time.

Arrival filme kostenlos anschauen p-M2V. Mamadou Arrival Arrival ganzer film deutsch, Arrival online stream - Ganzer film, Arrival ganzer film online stream - Deutsch Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi".

The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told.

I feel confident in saying this big of a story could have been split into two movies. Kristen Wiig still can't make her eyes look interested.

Then Charles Dance shows up with his serious comic tongue stuck in his cheek to admonish Prof. Gilbert that if she is serious about tenure, she needs to find a more prestigious university recommendation.

Than Princeton? From that point on, I was in love with the story. Katie Dippold cowrote the film. She has a bit part as the real estate agent showing the team the movie's fire station to rent.

I want more of her screenwriting. The dialogue is witty, sharp, real. While I liked the Ghostbusters, it's a buddy movie. Dudes in the treehouse with no girls allowed spelled wrong nailed to the door.

Smug, chirpy, guybonics. Venkman electrocuting rivals in the lab: using paranormal research to get dates. Annie Potts drooling over Spengler.

Sigourney Weaver in a diaphanous dress, draped on a parapet waiting for the Gatekeeper. The sore spots in are sprayed away in without gender disrespect.

Gilbert gets to drool over the pretty doofus administrative assistant. When you see this movie, watch all the credits.

Chris Hemsworth is a clearly confident actor - he dives pelvis-first into the Kevin role, and it's hilarious.

I'm still searching for the creator of the titles and end credits. Excellent art. The poster? Not so much. Hemsworth needs to be behind the four leads.

Casting hit a lick with Kate McKinnon as Holzmann. She is fantastic bringing Harold Ramis' genius back to life.

Leslie Jones as Patty: so good, and she has some of the juiciest lines, delivered with haute sass. There are really well-placed cameos by 's cast, including birthing one of the movie's best lines "safety lights are for dudes.

One of the brilliant visuals that I was thrilled with - the stream from the proton packs tied up the ghosts.

Wrapped, pinned, contained lassoed. Genius analogy for what to do with obsolete stereotype. There's a lassoed line in the film while the Ghostbusters are reading the internet reaction to their first catch.

Watch this. Unfortunately this has become because of political correctness and its backlash almost impossible to rate objectively.

In the North American wish to either redo every successful film ever made and present every conceivable variant in the process, for what could be deemed the lack of any possible originality of ideas, I still tried to enter this with an open mind, and see this as if the two films from the 80's which I enjoyed very much the one time I saw each of them had never existed.

I should state I saw this in 3D which I hardly ever do , with my lady and our respective sons. I felt that it was quite funny and that the special effects were excellent.

Next to 'Avatar', the use of 3D was the best I have ever seen. It's a popcorn flick well-worth seeing.

Though I haven't seen any other movies by Feig or starring McCarthy, it made me want to go back and give them a shot at some time in the near future.

There was something for everyone--both my lady and I enjoyed it very much--and the boys, three and thirteen years-old respectively, loved it as well.

Give it a shot. But to all the haters I say this: you are being very, very unfair. The s era film has a lot of boring sequences and lags quite a bit, and as is the case with many movies, sometimes our nostalgia creates pretty thick rose colored glasses.

We tend to only remember the good in our childhood favorites. When estranged childhood friends and paranormal enthusiasts Erin Kristen Wiig and Abby Melissa McCarthy reunite, sparks are rekindled and they decide to get back to their ghost chasing roots.

When Manhattan starts to experience boatloads of specter activity, the friends get started on some good old fashioned poltergeist hunting.

A big part of why this movie works is the comedic talent of these women; their chemistry is evident and they play well off each other, and the positive themes of loyalty and friendship never once feel fake.

All of the actors are proficient at physical comedy and all have impeccable timing. This feminist spin on the dumb secretary stereotype is exactly the type of lampoon I was hoping for here.

Girl power! The special effects have been given a serious upgrade as well: these ghosts look real, feel real, and are appropriately scary-yet-funny.

When the ladies first fired up their proton packs, I began cheering internally. All of you naysayers really need to lighten up because this is a really, really fun movie.

So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film.

I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category.

All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive. The story was okay type, they kept it very simple.

No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick.

The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.

There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science.

The disappointments are the ghosts, the film did not give preference for them to show their atrocities.

I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.

The movie itself was childish, unfunny, unintelligent and generally really bad. What feminism? Replacing the original actors with women is not feminism as far as I am concerned and anyway, if you care about such things should it not have been two women and two men to be politically correct?

Also, the supposedly intelligent women in this movie behave in a typical old-fashioned Hollywood stereotype of women way. They are mostly downright silly.

If I were a feminist I would actually have been insulted by this movie. Then we have the male clerk that is dummer than a piece of rock.

But since it is four women and a stupid male it is okay not really. It is even feminism according to some people. What a load of bollocks.

There is actually a story in the movie although it is well hidden under the silly jokes and silly behavior.

It is paper thin and rather silly in itself but it could have worked if the rest of the movie was up to snuff but sadly it is not.

As I wrote above the only good thing about this movie is the special effects. The few scenes that I actually enjoyed was during the big shoot out at the end which had some cool moments.

I especially liked when Jillian pulls a pair of pistols out of her Ghostbuster suit and goes on a ghost killing spray.

Apart from that this movie is best forgotten. This movie is horrible. It plays like an overly long SNL sketch.

The only saving grace is that this lost so much money that there will not be a sequel. Unfortunately for the fans, this means that the franchise is likely dead in the water for a long time.

This movie is a disaster. The casting is way off. The special effects are mediocre. The story is merely a retread from the original There is nothing good about this production.

What a waste of a perfectly good franchise. As a male nerd who grew up in the 's watching both original movies and the cartoon, running around with my toy proton pack and catching imaginary ghosts in my basement, I should be of the demographic complaining about how this ruins my childhood or that a cast of all women is just a stunt in the name of political correctness, or whatever their issue is.

The four female leads were absolutely hilarious--especially Kate McKinnon who steals every scene she is in.

The other three characters have more growth, more of a story arc, and are more fleshed out as people in general. But McKinnon makes the most out of the available material and creates a very fun and memorable character.

The comedy of the version, while equally effective, is completely different from the dry humor of the original.

The absence of Dan Aykroyd's and Harold Ramis's ludicrously funny lines delivered with a straight face, and the deadpan humor of Bill Murray has been switched out with a more over-the-top and in-your-face style of humor.

It's not as subtle. Ghostbusters made me chuckle; Ghostbusters made me laugh out loud.

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