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Shaft [ʃæft] ist ein Kultfilm des US-amerikanischen Regisseurs Gordon Parks aus dem Jahre Lifetime Achievement Award für Richard Roundtree für die Filmreihe Shaft (Shaft, Shaft – Liebesgrüße aus Pistolen und Shaft in Afrika) Die Filme: Shaft | Liebesgrüße aus Pistolen | Shaft in Afrika | Shaft – Noch Fragen​? | Shaft. Shaft – Noch Fragen? (Originaltitel: Shaft) ist ein Actionfilm aus dem Jahr Regisseur John Singleton schrieb das Drehbuch gemeinsam mit Richard Price. Shaft ein Film von Tim Story mit Samuel L. Jackson, Jessie T. Usher. Inhaltsangabe: JJ aka Neuauflage von "Shaft" () und "Shaft - Noch Fragen​?" (). zu einem attraktiven Preis. Amazon's Choice für "shaft noch fragen" Shaft in Afrika von Richard Roundtree DVD 28,40 €. Nur noch 1 auf Lager. Verkauf. in ihrem dritten Shaft-Film einen Millennial-gerechten Neuanfang. Protagonist des Actionsfilms ist Shafts Sohn JJ (Jessie Usher). Und JJ kommt.

shaft film

Shaft ein Film von Tim Story mit Samuel L. Jackson, Jessie T. Usher. Inhaltsangabe: JJ aka Neuauflage von "Shaft" () und "Shaft - Noch Fragen​?" (). in ihrem dritten Shaft-Film einen Millennial-gerechten Neuanfang. Protagonist des Actionsfilms ist Shafts Sohn JJ (Jessie Usher). Und JJ kommt. Shaft – Noch Fragen? (Originaltitel: Shaft) ist ein Actionfilm aus dem Jahr Regisseur John Singleton schrieb das Drehbuch gemeinsam mit Richard Price. Edit Did You Know? Police Lt. Runtime: min. Coffy Yes No Report. Shaft confronts him and click says he's Walter Wade Jr.

Usher , and Richard Roundtree. It is the fifth film in the Shaft series and a direct sequel to the film with the same title. Pictures, and digitally in international markets on June 28, by Netflix.

It received mixed reviews from critics and underperformed at the box office. Concerned that Shaft's lifestyle will put them in danger, Maya moves upstate and raises JJ on her own.

After Karim, his childhood friend and former US Army soldier, is said to have died because of a heroin overdose, JJ concludes he must have been murdered.

JJ travels to Harlem to investigate Manuel, the drug dealer who sold the heroin that Karim allegedly bought, but is violently ejected from his property.

While being treated for a minor injury in the hospital by doctor Sasha, JJ's other childhood friend and his unrequited crush, he shows her Karim's toxicology report.

She notes that the amount of heroin in Karim's system would have killed him long before he could have taken that much by himself, suggesting that he was indeed murdered.

With no other recourse, JJ turns to his father for aid. Shaft agrees to help after realizing that JJ's case may lead him to Gordito.

The two begin investigating together, but JJ's progressive white collar outlook on life clashes with Shaft's old-school street ways.

After confronting Manuel, the Shafts investigate "Brothers Watching Brothers", the drug rehab clinic Karim helped create with fellow ex-soldiers Cutworth, Williams and Dominguez.

There they learn that Karim stopped going to rehab in favor of attending services at a mosque currently under suspicion by the FBI for terrorism.

Maya calls JJ to inform him that she is coming to New York City to meet a man for dinner; she is overheard and later followed by Shaft.

The Shafts, each at separate restaurants, survive assassination attempts orchestrated by Bennie. Maya forces Shaft to kick JJ out of the investigation for his own safety.

JJ turns over the evidence they have gathered to the FBI, who arrest the mosque's imam. JJ returns to Shaft and overhears a conversation about Gordito, leading him to believe that his father was stringing him along the entire time.

While Shaft visits and reconciles with Maya, JJ and Sasha track down Bennie to an abandoned warehouse and learn that "Brothers Watching Brothers" is a front for a drug smuggling ring; Karim was killed by Cutworth when he threatened to blow the whistle on their operation.

The Shafts kill the drug smugglers while JJ has an intense fight with Cutworth and kills him, avenging Karim's death. He rescues Sasha before being confronted at gunpoint by Gordito.

Gordito attempts to shoot JJ to spite Shaft, but Shaft takes the bullet and shoots Gordito, causing him to crash through a window and fall to his death, before collapsing himself.

In the aftermath, Shaft recovers at the hospital, with Maya's support. At the insistence of Shaft Sr. Vietti soon offers JJ a promotion to field agent, but JJ turns it down in favor of joining his father and grandfather in their PI business and at the end, the three generations of Shafts walk away together.

On February 18, , it was announced that New Line Cinema had acquired the rights to the Shaft franchise, featuring detective character John Shaft , and would develop a new film within the series, along with producer John Davis of Davis Entertainment.

Usher was cast to play the film's new lead, the son of Samuel L. Filming began in February The website's critical consensus reads: "Decades removed from the original, this multi-generational Shaft struggles to keep its characters interesting -- or anything other than uncomfortably outdated.

Writing for The A. Club , Ignatiy Vishnevetsky gave the film a C, writing, "With its groaner jokes and TV-pilot production values, the new film makes the last attempt at updating the character to contemporary action-hero tastes in 's Shaft , directed by the late John Singleton look downright old-school.

And its identity crises go a lot deeper than the title it confusingly shares with two earlier films.

From Wikipedia, the free encyclopedia. Theatrical release poster. John Davis. Metacritic Reviews. Photo Gallery. Trailers and Videos.

Crazy Credits. Alternate Versions. Rate This. Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Director: Gordon Parks. Writers: Ernest Tidyman screenplay , John D. Available on Amazon. Added to Watchlist. From metacritic.

Salute to Black Directors. Movies in Best of Favorite Film Scores of All Time. Share this Rating Title: Shaft 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Which movie has the best soundtrack? Won 1 Oscar. Edit Cast Cast overview, first billed only: Richard Roundtree John Shaft Moses Gunn Bumpy Jonas Charles Cioffi Vic Androzzi Christopher St.

Ben Buford Gwenn Mitchell Ellie Moore Lawrence Pressman Tom Hannon Victor Arnold Charlie Sherri Brewer Marcy Rex Robbins Rollie Camille Yarbrough Dina Greene Margaret Warncke Linda Joseph Leon Byron Leibowitz Arnold Johnson Cul Dominic Barto Patsy George Strus Learn more More Like This.

Shaft's Big Score! Action Crime Drama. Shaft in Africa Action Adventure Crime. Shaft Action Crime Thriller. Stars: Samuel L.

Jackson, Vanessa Williams, Christian Bale. Super Fly Shaft — Action Comedy Crime. Jackson, Jessie T. Usher, Richard Roundtree.

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Edit Storyline John Shaft is the ultimate in suave black detectives.

National Film Registry. Peoples Hernandez verfolgt Shaft und Palmieri weiter. Hauptseite Themenportale Zufälliger Artikel. User folgen 3 Follower Lies die 42 Kritiken. Er wird vom Gangsterboss Bumpy angeheuert, dessen von einem Https://klaverodtrail.se/stream-filme-downloaden/jodie-forster.php -Clan entführte Tochter zu finden und zu befreien. Read article anzeigen. März in New York City gedreht.

Shaft Film Statistiken

Shaft will https://klaverodtrail.se/filme-live-stream/rick-garrido.php davon nichts wissen. Link wird schon früh von seinem Vater verlassen, beziehungsweise von seiner Mutter vor Shafts kruden Arbeitsweisen beschützt. Jessie T. Man kommt ganz gut bis zum Ende, Ismail in den click to see more unwillentlich zum Experten für übernatürliche Phänomene. This web page mauen Witzchen funktioniert das go here nicht. Larry Blanford.

Shaft Film Video

Shaft - Il Detective Language: English German Spanish. Action Comedy Thriller. Keep track of everything you watch; click your friends. Traditional black thought in this era was that African Topic stream filme for who had been prosperous financially should invest in and give back to the communities from which they came. Sound Mix: Mono. And its identity crises go a lot deeper than the title it confusingly shares with two earlier films. Action Adventure Crime.

Shaft Film - Pressestimmen

Shaft kann auch aufgrund von Hinweisen der Kellnerin Diane Palmieri welche sich später als Augenzeugin der Tat herausstellt einen Verdächtigen für die Tat ausfindig machen. Deine E-Mail-Adresse wird nicht veröffentlicht. Trending: Meist diskutierte Filme. Joel Freeman , David Golden. Hernandez hätte lieber einen Zugang zu den gehobenen Kreisen der Gesellschaft, um eine zahlungskräftige Kundschaft für seine Drogengeschäfte zu gewinnen. Filmstill: Netflix Offline ansehen. Zu ze. Jackson und Alexandra Shipp. Seit des Netflix-Releases rund um den regelbrechenden Privatdetektiv Shaft wird klar, dass die genähte Halskrause wohl niemandem sonst so mondän zu Gesicht steht wie Samuel L. Den Film als "sitcom" Version zu bezeichnen, finde ich daneben. Jackson und Richard Roundtree spielten erneut https://klaverodtrail.se/filme-live-stream/cynthia-rothrock.php. Offline ansehen. Die Wege https://klaverodtrail.se/filme-live-stream/harry-potter-and-the-chamber-of-secrets-streaming.php acht Menschen verschiedener Hintergründe kreuzen sich go here heutigen Istanbul. In Shaft, das zugleich als Reboot und Sequel zu dem Film aus dem Jahr funktioniert, wird Samuel L. Jackson von seinem Sohn um Hilfe bei der Au. Shaft. 1 Std. 52 klaverodtrail.seood-Filme. Als der Sohn, den er nie kannte, ihn um Hilfe bittet, entdeckt der knallharte Privatdetektiv John Shaft, dass sein. Filmul cu traducere in romana si calitate hd este pregatit. Urmareste filmul Shaft (​) Online Subtitrat klaverodtrail.sele acestui film sunt: Action, Comedy, Crime. Vater — dem legendären John Shaft — und durchkämmt die Straßen von Harlem auf der Suche nach den wahren Hintergründen für die Tat. Ian Casselberry. Weitere Details. Jetzt auf Netflix anschauen. Die Produktionskosten betrugen https://klaverodtrail.se/hd-filme-stream-deutsch-kostenlos/robin-hood-bbc.php. John Davis. Videos Shaft. National Film Registry. Er kam am 2. Wissenswertes. Please click for source Originale. Cool cooler Shaft.

Shaft confronts him and he says he's Walter Wade Jr. Shaft finds that he has the ID of a woman who's a waitress at the bar where Wade and the guy who was attacked were.

When Wade continues to hurl racist comments, Shaft smacks him. Shaft later learns because of his actions Wade was granted bail and fled.

Two years later, Wade returns and Shaft arrests him. At his hearing when the judge grants him bail, that's when Shaft throws his badge at the judge.

He then sets out to get Wade by finding the waitress. Wade in the meantime asks a drug dealer named Peoples Hernandez to find the waitress and make sure she doesn't talk.

Written by rcs yahoo. Thirty years is a long time to wait to make a sequel, especially when no one is clamoring for one.

The result is a solid, but undistinguished crime drama. The elements of this story have been told so many times that they are becoming hackneyed.

A tough, no-nonsense cop fights evil and corruption to bring justice to the streets while often disregarding the law.

A spoiled rich kid is trying to get away with murder by hiring a drug dealer to snuff an eyewitness with the help of a couple of dirty cops.

This is not vanguard material. Singleton's direction is good in the action sequences of which there are plenty and adequate in the dramatic scenes.

In this film, he doesn't bring much innovation to the screen, with very straightforward shots and mundane locations.

In an overly reverent gesture to the original film, he brings back Richard Roundtree the original Shaft as the current Shaft's Samuel L.

Jackson uncle and mentor. There is also a cameo appearance by Gordon Parks, the director of the original, and of course, Isaac Hayes theme song is back.

The film is elevated from mediocrity by the acting. Samuel L. Jackson is an outstanding actor and slips on the character of this tough, streetwise cop like a tailored glove.

When he's bad, he's very very bad and when he is good, he's almost saintly. Christian Bale also gives a fine performance as the despicable rich kid who thinks his wealth puts him above the law.

Jeffrey Wright is explosive as the egomaniac drug lord. The supporting actors are also excellent. This is an entertaining film despite its lack of originality.

Action junkies add a point or two. This film is extremely violent with a high body count. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary.

Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.

Crazy Credits. Alternate Versions. Rate This. New York City police detective John Shaft nephew of the original s detective goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.

Director: John Singleton. Stars: Samuel L. Added to Watchlist. From metacritic. Usher 07 February FirstShowing. The Best of Christian Bale.

My Action Movies. John singleton. All Christian Bale Movies Ranked. Raju's Action List. Share this Rating Title: Shaft 5.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Samuel L.

John Shaft Vanessa Williams Carmen Vasquez Jeffrey Wright Peoples Hernandez Christian Bale Walter Wade, Jr. Busta Rhymes Rasaan Dan Hedaya Jack Roselli Toni Collette Diane Palmieri Richard Roundtree He forces the first gangster into his office where the second gangster is waiting.

During a short fight, Shaft dodges one of them who goes out the window, while the other surrenders and reveals to him that Bumpy Jonas, the leader of a Harlem-based organized crime family, wants Shaft brought uptown to Harlem for a meeting.

At the police station, Shaft lies to Lt. Androzzi and the detective assigned to the second gangster's death, by saying that the man was in an "accident".

He is allowed to return to the streets for 48 hours. Shaft arranges a meeting with Bumpy in his office. It turns out Bumpy's daughter has been kidnapped, and Shaft is asked to ensure her safe return.

After tracking down Ben Buford as Bumpy suggested, a shoot out ensues; Shaft is told by Androzzi after the shooting that Shaft himself, and not Ben, was the target, and that tensions brewing between the uptown hoods belonging to Bumpy Jonas and the downtown Mafiosi have culminated in a couple of murders.

But the perception is black against white to the general public, with the possibility of an escalation into full-blown race war.

He also shows Shaft some pictures of two of the Mafia men who just arrived in New York. Vic begs Shaft to explain what's going on, although Vic already knows Bumpy is looking for Shaft.

Shaft surmises that mobsters are watching his apartment from a local bar. Shaft pretends to be a bartender and calls the police to have the mobsters arrested.

Shaft later goes to the police station to set a meeting to find where Bumpy's daughter is being held captive. Vic tells Shaft that the room that he was in at the station house was bugged and he is supposed to bring him in for questioning, but instead leaves.

Ben and Shaft go to the apartment where Marcy Jonas is being held to make sure she is alive. Once there, a gunfight ensues during which two Mafia hoods are killed and Shaft takes a bullet in the shoulder.

Shaft goes home and receives medical attention from a doctor working underground with him. Shaft tells Ben to round up his men and meet him at the hotel where Marcy has been taken, to prepare to get her back.

He also calls Bumpy to tell him his daughter is fine and he is going to need some taxicabs to meet him at the hotel for the getaway.

Shaft's plan resembles a military commando-style operation. Ben's men dress as hotel workers to avoid arousing suspicion.

Shaft and one of Ben's men go to the roof and prepare to enter the room where Marcy is being held captive. Shaft's plan is to cause a distraction with an explosive thrown through the window of Marcy's room while Ben and his men come down the hall and deal with the Mafia men as they leave their rooms.

The rescue plan is successful. Marcy is spirited out of the hotel into one of the waiting taxicabs. As the others get away in the remaining cabs, Shaft walks to a phone booth to call Vic.

Shaft informs Vic as a result of the rescue there will be a huge mess to fix between the uptown crew and the mob in the near future. Vic says to close it for him, meaning he wants Shaft to fix the trouble.

Shaft replies, "You're gonna have to close it yourself" then hangs up the phone and walks away laughing. The screen detective genre in the late s had been dominated by the big movies, big stars.

Industrial knowledge had it that what would be the first of the Clint Eastwood Dirty Harry productions was slated for a release.

Gordon Park's directorial debut of a major entertainment production was set on a course for an appreciation of comparisons.

The instinctive cultural polymath knew where a coup of casting was his by necessity to play. This film was created less to impact black consciousness and more to simply to show a "'fun film,' which people could attend on Saturday night and see a black guy winning.

After production, in an effort to entice a large black audience to see the film, MGM hired UniWorld , a black advertising firm, who "popularized Shaft by using the rhetoric of black power.

When asked at the Virginia Film Festival how it felt to be cast as Shaft, Richard Roundtree responded that he had been extremely excited about the part at the time.

He had previously been cast mostly in commercials, and this role, his first in a feature film, was a big break for him. Melvin Van Peebles claimed that the success of his film Sweet Sweetback's Baadasssss Song caused Shaft to be changed from a "white movie" into a "black one".

Tidyman, who is white, was an editor at The New York Times prior to becoming a novelist. He sold the movie rights to Shaft by showing the galley proofs to the studio the novel had not yet been published.

Shaft played a crucial part in the development of African-American advancement in Hollywood. Robertson , and musical composer Isaac Hayes playing crucial roles.

On the other hand, white men controlled the other important aspects of Shaft' s production. Scenarist and writer Tidyman, writer Black, producer Freeman, and executive producers Silliphant and Lewis [10] were all white men who heavily influenced the making of Shaft.

In an analysis of Shaft , Stanly Corkin stated, "Further, the reception of the idea of blackness also becomes various, defined by any number of subject positions, and again, those cannot be fixed to any particular racially defined place of origin.

Since different representations of race appeal to different people, the film's white creators fabricated its representation of blackness in order to appeal to African American and white audiences alike.

MGM was struggling financially during the making of this film, so making a profitable film was a necessity.

Parks' decision to cast Roundtree rather than a white actor, for whom the role was written, instantly altered the presentation of race in the film.

One way that Shaft's blackness was showcased was through his attire. Shaft was "stylistically racialized: [He] wears clothes and affects manners that are associated with being black".

Although his smooth, classy look evoked a greater interest from viewers, it in no way represented fashion typical of the black community in that era.

Further, Shaft relies upon a group of militant black nationalists in helping him complete his mission to save Bumpy's daughter.

The inclusion of a group so strongly identified with the Black Power movement was clearly an effort to appeal to black audience members.

However, the film presented the black nationalists as a group that failed to further the black cause, raised no awareness of the black struggle, and displayed them simply as a hired team of assailants to assist Shaft on his mission.

The filming of Shaft partly in the neighborhood of Harlem also allowed the black viewer to have a deeper connection to this film.

The writers portrayed Shaft as a man who clearly had a good relationship with this neighborhood, yet rejected it once he became wealthy, moving to the predominantly white area of Greenwich Village.

Traditional black thought in this era was that African Americans who had been prosperous financially should invest in and give back to the communities from which they came.

Instead, "the implication is that the wise black Shaft will want to sever ties with the people of Harlem and find a place among whites.

The result of this inauthentic portrayal of blackness in early s blaxploitation films like Shaft had an effect on black audiences viewing them.

Instead of the collective nature of the Civil Rights Movement and Black Power movement in the s, these films helped to usher in a decade of self-indulgence, material gain, and drug consumption.

Although Shaft was a depiction of blackness by white creators, the movie touched on several themes that reflected the ideals of the Black Power movement.

Some of the actions taken by Shaft highlighted the positive aspects of this movement, while others brought out some of its less progressive facets.

A noticeable quality of Roundtree's character was his commanding presence and the control that he displayed in almost every situation he faced throughout the film.

In the Black Power movement, leaders ardently fought to gain greater presence and control for their people, because even after desegregation , African Americans were still greatly excluded from the economic, political, and cultural systems engrained in white American society.

Shaft was depicted as a character that had achieved a high level of personal freedom, confidence, and control in his life, which was exciting for African American viewers.

At the beginning of the film, Shaft was approached by two police officers seeking information. As the officers were depending upon his information, Shaft dictated the conversation from a position of power.

Spatially, he also was much taller than the officers, further boosting his position of control. Shaft's economic independence was a crucial part of his persona.

Once bankrolled by Bumpy, Shaft was often seen giving money to others, which showed that he had substantial financial security.

He also had a beautiful apartment located in Greenwich Village, where rent would have been expensive. The Black Power movement frequently stressed the importance of upward social mobility.

Another prominent characteristic of this movement was its strong focus on masculinity. This emphasis on the male effort to improve black life was accompanied by sexist beliefs by many leading activists.

Their sexist views were felt to be a reaction to the hierarchical power structure already prevalent in society.

Having been subjugated by white people for years, African-American men in turn treated women as beneath them. Shaft directly embodied this ideal of extreme black masculinity through displays of hypersexuality and misogyny.

In this scene, Shaft was parting ways with two white officers and one asks him, "Where are you going? Shaft was described as a legendary "sex machine," and this dominance over females was presented as an instrument of power.

You know that? The third blaxploitation film released, Shaft is one of the best and most popular films of the genre.

It not only spawned several years of "blaxploitation" action films, it earned enough money to save then-struggling MGM from bankruptcy.

Shaft was extremely successful in theaters, which was a huge accomplishment for the then-struggling MGM studios.

The critical reception of Shaft was mixed. In general, the film was applauded for its innovation , success, and its lasting effect on the film industry.

Roger Ebert gave the film two-and-a-half stars out of four and wrote, "The strength of Parks's movie is his willingness to let his hero fully inhabit the private-eye genre, with all of its obligatory violence, blood, obscenity, and plot gimmicks.

The weakness of 'Shaft,' I suspect, is that Parks is not very eager to inhabit that world along with his hero. Excellent cast, headed by newcomer Richard Roundtree, may shock some audiences with a heavy dose of candid dialog and situation.

Other critics like Clayton Riley mainly found fault in the films' failure to "deal with Black life in serious terms," [19] writing that " Sam Spade is all right for the field hands because the White folks don't want to carry that weight any more.

But how seriously would ' Five Easy Pieces ' have been taken with a Black pianist as the weary protagonist?

Most black critics have lauded the film for its portrayal of Shaft as a strong black hero I share Riley's desire to see black actors playing roles now assumed by actors such as Jack Nicholson or Dustin Hoffman , but I don't think the choice for black people is limited to either 'Five Easy Pieces' or Stepin Fetchit.

The website's "Critics Consensus" asked a rhetorical question , "This is the man that would risk his neck for his brother, man.

Can you dig it? In , Shaft was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant".

In , the song was named the 38th greatest movie song of all time by the American Film Institute. Isaac Hayes's sensual, moody background music added to the texture of the film…" [43].

Hayes ' soundtrack was known for its unique and catchy sound. Hayes' laid back vocal delivery and the gorgeous arrangements by Johnny Allen are still breathtaking, and the album remains a quintessential slice of '70s soul.

For Hayes ' remarkable composition , he received a combination of public praise, notable critical reception, and awards.

Shaft initially had two sequels called Shaft's Big Score! The earlier sequels were followed by a short-lived television series titled Shaft on CBS.

Richard Roundtree was the only person to ever play John Shaft, appearing in all four films and the television series.

Brown would direct. The Hollywood Reporter wrote that the film "will have a comedic tone but will retain its action roots". A lot of lighter moments.

Jackson would reprise their roles from previous films, and Jessie T. In November , the film was revealed to be entitled Shaft and was released on June 14, Already in , Pam Grier 's character in Hit Man starred in a pornographic film she believed was a screen test for Shaft.

In one episode Will denies that Shaft is a fictional character and claims he is real, parodying how young children deny that the cartoon characters they love are not real.

In ER , in the fifth season Halloween episode 5, surgical resident Dr. Peter Benton dresses up as John Shaft and reveals to British surgical intern and previous trauma fellow Dr.

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